Wall of Death, 2001 Exhibitions Halflife, Nevada Art Museum, Reno, 2004 In the carnival act “Wall of Death,” first performed in the 1930s, a motorcyclist rides around the inside of a wooden drum, maintaining a delicate state of equilibrium between centrifugal force and gravity. The video is made up of a series of motion loops that become progressively shorter, creating the illusion of continuous motion: The rider is caught in a never-ending, never decelerating circle. The editing technique, inspired by the Kinetoscope films popular during the time the act was widely performed. Reviews Edward Leffingwell, ‘Marco Brambilla at Henry Urbach Architecture’, Art in America, March 2002Paul Quiñones, ‘Marco Brambilla’, tema celeste, No. 95, January/February 2002 Roberta Smith, ‘Marco Brambilla: In Action’, The New York Times, November 30, 2001 Anne Wehr, ‘Marco Brambilla: In Action’, Time Out New York, November 22-29, 2001 Alexi Worth, ‘Art Reviews: Galleries Chelsea’, The New Yorker, November 19, 2001 Frances Richard, ‘New York: Critics’ Picks’, Artforum, November, 2001 |
Wall of Death, 2001. Installation view Henry Urbach Architecture, New York, 2001 |
Wall of Death, 2001 (excerpt) |
Wall of Death, 2001. Production Still |
Wall of Death, 2001. Production Still |
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